Inspired by the west from styles in the east - Ted Higgs stuns with his oriental bowl

Oriental inspired bowl with grateful thanks to Ed Pretty of Vancouver for his article and detailed pictures on Pinterest.

More about Ed at https://edswoodturning.com/

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This is the first time I have tried ‘air’ turning to this extent by starting with an oblong blank with all four sides cut at 15 degrees. It sounded like an aircraft propeller.  With a freshly sharpened bowl gouge and trying to remember what we have seen at our demonstrations over the years, I got the feel of the wood. My blank was a reclaimed piece of mahogany windowsill and in hindsight not the best choice of timber but it was the only piece I had that was thick enough. Some grain tear out near the tips was a problem but I learnt a lot from the exercise.

Cutting the curves from both sides gave 4 points for it to stand on and I had to ensure that the bottom half of the bowl was higher than the points. Once the body was cut the wings had to be hand sanded, I held it in the chuck for stability. I then painted the body with 2 coats of black spirit stain, all the body except the bowl interior. I then turned the lid from what I think was sycamore and then set about making the handle to match the body including the 15 degree side cuts for continuity.

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Finding centre line was next,  by mounting the lid in the chuck and drawing a line through the centre point, with the tool rest as a guide, I could accurately find it. I was then able to drill the peg holes into the lid on the drill press to ensure they were vertical. Once the pegs were glued in place with Titebond, I made a simple jig to hold the rim of the lid against a vertical surface and touched the pegs very lightly against my sanding disk. This ensured the tops were parallel with the lid rim and the correct height. I was then able to glue the two pieces of the handle on top.

By this time, my gold leaf size (the special ‘glue’ for gold leaf work) had arrived from Gold Leaf Supplies (thank you Louise for the recommendation) and two coats went inside the bowl. When the second coat was tacky (about 10 hours or so later) I tipped gold leaf flakes into the bowl and pressed them with a fingertip. After 24 hours the excess flake was removed and the bowl masked off so the gold could be sprayed with clear lacquer (2 coats). Finishing was with Liberon wax and buffed up. A really good exercise and as Brian Partridge has often said, the fun is in the problem solving as much as the finished article.

Ted Higgs

August 2020

See below for more photos